Tubes and Pods

Clay has such memory. Even light fingertip touch is remembered. Imprinted. During this time of clay work, I created ‘simple’ forms which I then placed in an earthen pit with smoldering fire of sawdust burning. The results were brown and black markings on my warm-white, ceramic forms. ‘Earthen Channels’ referenced a transitional space of somewhere in-between…’to’ and ‘from’ in the same moment. Made from the earth. Returning to the earth. And yet ascending from the earth.

‘Pods’ were slowly hand-built with white clay and paddled into shape with a large, flat wooden spoon. Rhythms of low-toned sound were part of the making. These forms appeared to be cracking and opening…and yet perhaps closing. ‘Pods’ seemed to evoke association of both birth and death simultaneously.

 
 
Tubes and Pods by Yvonne Maiden
 
Tubes and Pods by Yvonne Maiden
 
Tubes and Pods by Yvonne Maiden
 
Tubes and Pods by Yvonne Maiden
 
Tubes and Pods by Yvonne Maiden
 
Pods by Yvonne Maiden

Pods.  Pit-fired clay, Aprox. 20 x 16 x 8”,  University of Michigan Gallery, 1986. 

 
Pods and Suspended Man by Yvonne Maiden

Pods and Suspended man. Pit-fired clay and plaster figure, Life-sized figure and Pods aprox. 20 x 16 x 8”, Residential area of San Francisco, 1992. 

 
Shells by Yvonne Maiden

Shells. Pit-fired clay, Variable dimensions from approx. 11 to 5 x 3 to 4 x 2 to 4”, University of Michigan Gallery,  1983. 

 
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